(51) Final Ancillary Task 1

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(52) Final Ancillary Task 2

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Poster This is my final poster for my film. To view all of the posters I created, see below. I have created a multitude of poster designs for my film, using the conventions that I researched here as inspiration. Here are some of the designs I made for the poster for my film:  These posters are centered around one of the key characters of the film, Bleedingheart. I opted for a teaser-like style for this poster: this style involves little to no information about the film and only a vague date. The title is in yellow, the same colour the titles and credits are in the film. Several (unfortunately fake) awards are included which fits the style of short film posters as, without a-list casts and directors to flaunt, awards are the only thing short film posters have to offer. I used a mid shot and close-ups to suggest the genre as a drama as it focuses on the character and indicates that the film will be about character experiences. The color palette is similar to t...
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(53) Evaluation Q.1

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In What Ways Does Your Short Film Use, Develop or Challenge Forms and Conventions of Existing Media Products? Forms, codes and conventions are important to consider and understand when constructing a film, particularly an amateur one. Firstly, there is a reason as to why they are conventional in the first place: they confer a sense of familiarity on the audience. This familiarity is important to help the audience understand something. They can work as short-cuts; by employing something the audience already understands it allows you to build on them to create your own original work. For example, take genre conventions. If you're creating a sci-fi film, you will likely include settings and props etc. that are easily identifiable to the sci-fi genre, such as space or aliens etc. This immediately allows the audience to identify the film as a sci-fi film, therefore, they're almost immediately familiar with the landscape on which your film is set (eg. alien or far away). This means ...
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